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[experimental, musique concrete, sound art] Irmologion - 2003 - Irmologion (FLAC, RAIG 3)

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Torrent File Content (24 files)

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Music : Other : Lossless
      

Russian Association For Independent Genres R.A.I.G. R003.

1. Irmos 1
2. Irmos 2
3. Irmos
3
4. Irmos 4
5. Irmos 5
6. Irmos 6
7. Irmos 7
8. Irmos 8
9. Irmos 9

When this
had given me many a hard blow, doubtless from the spirit that had a desire for me...
I fell into great sadness and
melancholy, when I viewed the great depth of this world...

Cover (C) 2003 ZonderZond

IRMOLOGION is
the ominous foray into the dark territory of experimental electronic by a disciple of the Russian orthodox
non-conformist doctrine, a composer who accumulated a respectable number of honors and distinctions in popular music in
the eighties, then left off culture-establishment at the peak of his professional career and cloistered himself in a
provincial monastery. It wasn’t until winter 2000 when we exchanged letters to discuss if he still had an
interest in composing and recording music. The reaction was positive. However, my respondent specified that he
"would consider creative activity as a relief from a burden of false tenets one had to embrace vindicating his
carnal being, the abyss one had to fall so as to let the Godhead climb up in him”. This amazing person had
definite Faith and Devotion that, in some way, helped us to solve a major problem – we got over a certain lack of
necessary technical equipment when Andrei Suchilin proffered his assistance at Objective Music studio. The result of
more than two-year laborious work was defined as IRMOLOGION.

"Irmologion". That word came into the
orthodox religious tradition from Hellenic: irmos – a motet, and logeyo – to collect. As a single-genre
chapel-book, Irmologion was first compiled from a number of irmoses in the 10th century in Byzantium. A full version of
the Russian Irmologion includes about 1050 irmoses and reproduces a specific classical structure, which is submitted to
so-called "8-glas system" when the irmoses within each "glas" follow the exact order of 9 songs of
the Canon. The purpose of this brief inquiry is to explain the album organization: 9 tracks (Irmos 1-9) in sequence
which is of great importance for the perception of music. In fact, IRMOLOGION is far from interpretation of canonic
motets; this more resembles a horror-documentary soundtrack redefining one's dark vision of the world intoxicated by
deceits, illusions, and errors. Consistently dark and deeply disturbing chants grow up from some distorted references to
holy hymns and raise up everything to the level of apocalypse. Here, the Ceremony is no more a source from which the
author draws his inspiration but an act provoking him to create a stunning alternative and send this painful challenge
to the tempting and rupturing dogma. (9 tracks - 73 min.) Deluxe cardboard packaging designed by ZonderZond further
advances IRMOLOGION sound and vision (Ltd x350). - R.A.I.G.

This comes in a fantastic package with a rather
interesting insert card featuring an interesting picture of some sort of device. It looks like the locking device and
key for the chastity belt of Lucifer (he who walks backwards)?
'Irmos 1' is provides an interesting rhythmical and
staccato opening with defined and sinister melody. This continues with the inclusion of some type of distorted vocal.
Quite a unique sound, and very hard to pigeon-hole. 'Irmos 2' has another strong melodic based industrial opening with a
more industrial feel developing, yet there is a continual emphasis on melody as well as rhythm in this track. Some nice
dark vocal effects add to an overall dark and undefined atmosphere created by this interesting music. There’s a
certain freedom about this music that is had to quantify. 'Irmos 3' is again quite unpredictable, but in that you can
start to draw comparisons between this and the Hafler Trio (A thirsty Fish etc etc). Again there is good use of sinister
melody, similar to track 1 to help bind the track together. 'Irmos 4' opens with strong rhythms (quite industrial) along
with a recurring melody. Some great vocals are introduced here to good effect (no details in the packaging as to what
the lyrics for this track are about?). 'Irmos 5' is a bit more sedate, albeit random. There is a good variation of
textures here, random rhythm and abrasive samples and vocal effects. 'Irmos 6' opens abruptly using a heavy dark ambient
soundscape with an unpredictable melody (and the occasional chirp of a bird). As the track develops it utilises deep
drone soundscapes over which changeable samples and vocal effects and melody are overlaid. 'Irmos 7' welcomes back our
original melody again, mixed with some dark samples and soundscapes. Similar to previous tracks, 'Irmos 8' is dark
ambient based with an unpredictable atmosphere to it. Again interesting melody and good use of vocal effect give this
music a unique feel. The last track opens with a distorted vocal effect and gradually fades to an end. -
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